Pratt Museum

Pratt Museum

Familiar Faces: Portraits of Community

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Familiar Faces: Portraits of Community 2021 Exhibit imageJoin us February 5 – May 29, 2021 for our newest special exhibit, Familiar Faces: Portraits of Community. During an era of social distancing, this exhibit provides visitors the opportunity to ‘meet’ our neighbors and community members throughout history, with up-close observations of individuals and the stories that surround them. Familiar Faces features special content by guest community members Joshua Veldstra, Christina Whiting, and Clark Fair, and draws on the Pratt Museum’s permanent collections to illustrate the deeper stories behind – and beyond – these seemingly simple images. We hope you take an opportunity to discover the soul of our community portrayed in this exhibit, and explore what portraits can reveal about the people of Kachemak Bay.

Greetings from the Past: History in Postcards

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An exhibit at the Pratt Museum exploring the history of Postcards and the stories they hold

What is your hope when you send off a postcard? For over 150 years, this seemingly ephemeral form of communication has run the gamut of uses, and has proved itself to be an indispensable form of community recordkeeping across the globe, giving us bite size glimpses into the past. As we live through the current COVID-19 crisis, we have an opportunity to save our stories of this unusual and trying time. Just as stories from events of the past have created snapshots of different eras for us, we are able to pass our stories through time for future generations. What might someone learn about your life if they read a collection of postcards you’ve written? As you explore this exhibit of postcards from the Pratt Museum permanent archives, think about how stories from the past inform us about lives lived. How might you explain this current time we’re living in with just a few short lines and a picture? End your exploration of the past by dropping a note for future generations in the Postcards from Unprecedented Times mailbox, and answer a question for years to come: What’s in a postcard?

Greetings from the Past: History in Postcards will be on display in the Pratt Museum Community Gallery through March 31, 2021.

Shifting Tides: Convergence in Cloth

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One ocean, 45 artists: International art quilt group exhibit probes the Pacific

The Pratt Museum in partnership with Studio Art Quilt Associates is pleased to announce the premiere of Shifting Tides: Convergence in Cloth at the Pratt Museum from October 9 to December 19.

Created as a group exhibit to shine a light on the issues facing the Pacific Ocean today, Shifting Tides is a collection of work by 45 artists chosen from the seven Pacific-facing regions of Studio Art Quilt Associates (SAQA). An international organization that promotes the quilt as an art form, SAQA has a history of inviting artists to explore topical, sometimes controversial topics. With this latest show, the organization’s west-coast members explore the earth’s largest ecosystem.

From their strikingly different vantage points—from Southern California northward to Western Canada and Alaska, plus Hawaii—artists from a range of backgrounds were asked to express their concerns and feelings about the Pacific. “Merely because we live in this part of the world, we as individuals are part of the Pacific ecosystem. On a daily basis we may not recognize the changes that are happening,  but they are of vital importance to our world,” write Georgia French and Sonja Campbell, co-chairs of the exhibit planning committee. “We were stunned with the variety and emotional intensity of their responses, as well as with the beauty and graphic impact of their work.”

The 45 works range widely in content and technique, drawing on realism, abstract, and nonrepresentational depictions. The pieces on display were chosen from more than 160 submissions for SAQA artists. Curated by renowned textile artist, Ann Johnston, the exhibit offers a variation of style and context about the plight of oceans and the communities they support. “The topic demands a passion we all feel, and the quilts dealt with the subject and the passion in many different ways; all of them hit me as having merit and value,” explains Johnson. “The intention of the exhibit was not only to choose good pieces but also to include a representative range of habitats and issues in reference to our Pacific ecosystem. I also wanted to include a range of design approaches and construction techniques. I think the resulting exhibit is a showcase of art that will enlighten the viewers about quilts and encourage exploration of solutions to one of our most anguishing ecological problems.”

Whether you want to learn more about the issues plaguing the Pacific Ocean, crave a forum that amplifies your concerns, or just want to immerse yourself in images of its beauty, Shifting Tides: Convergence in Cloth promises to deliver. And if you haven’t experienced the artistry and power of this genre, Shifting Tides is an unforgettable entrée.

This exhibit will be on display at the Pratt Museum from October 9 – December 19. Bring your cellphone to enjoy an interactive call-by-cell experience featuring audio from all of the participating artists!

In conjunction with Shifting Tides, the Pratt is excited to offer new fall programming:

Entangled: Exploring Natural History Collections from Kachemak Bay

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The Pratt Museum reopened on Thursday, July 9, with a new special exhibit: Entangled: Exploring natural history collections from Kachemak Bay. 

“This exhibit allows us to share some of our favorite things from the Pratt’s permanent collections that you may have never seen before,” said Curator Savanna Bradley, “and hopefully inspires everyone to share or contemplate their own collection stories.”

Entangled brings together artistic whimsy and the study of natural history. The family-friendly exhibit invites museum-goers to consider and question the origins of natural history collecting for individuals and museums in the Western tradition over time. It also explores how our baseline understandings, such as how we practice culture and what we notice about our environment, are shifting. The exhibit was co-curated by Pratt Museum Naturalist-in-Residence Marilyn Sigman and Curator Savanna Bradley and draws from the permanent collections of the Pratt Museum.

The Pratt Museum is offering a variety of virtual and in-person summer programming around the theme of Collecting, including First Friday programs, participatory Zoom events, and a radio series. For more information, see the Events calendar, contact the museum, or visit our social media.

“We are excited to reopen our doors to the community with this exhibit, and we are so grateful for the support and patience of our members, friends, and guests,” said Pratt Museum Executive Director, Jennifer Gibbins. “We hope to inspire visitors of all ages to continue to be curious about the natural world and to enjoy learning, sharing stories, and connecting with others.”

#MuseumFromHome: Download these two coloring pages to enjoy Entangled from your own home!

Entangled will be on display at the Pratt Museum July 9 – September 26.

Jubilee Festival of Student Art

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The Pratt Museum is partnering with Homer Council on the Arts to present the 2020 Jubilee Festival of Student Art! Student works submitted through HCOA’s office will be distributed between HCOA and the Pratt. View the amazing work that our community’s youth are creating at both locations!

Shifting Tides: Convergence in Cloth

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October 9 – November 28, 2020

“Whither the Waterfront?” by Cathy Miranker

Art quilts from Studio Art Quilt Associates Pacific regions

An exploration of the effect of the Pacific Ocean on the lives of people
living in the coastal states and province of the North American continent
and in Hawai‘i.

Created as a group exhibit to shine a light on the issues facing the Pacific Ocean today, Shifting Tides is a collection of work by 45 artists chosen from the seven Pacific-facing regions of SAQA. Curated by renowned textile artist Ann Johnston, the exhibit offers a variation of style and context about the plight of oceans and the communities they support.

From their strikingly different vantage points—from Southern California northward to Western Canada and Alaska, plus Hawai`i—artists from a range of backgrounds were asked to express their concerns and feelings about the Pacific. “Merely because we live in this part of the world, we as individuals are part of the Pacific ecosystem. On a daily basis we may not recognize the changes that are happening, but they are of vital importance to our world,” write Georgia French and Sonja Campbell, co-chairs of the exhibit planning committee.

Shifting Tides debuted in San Jose, California at the 2019 SAQA Conference for the purpose of showcasing the talents of SAQA members living in the greater North Pacific region. The show will tour the seven participating Regions, bringing to public view the innovative contemporary art that SAQA stands for.

 

 

Denali: Artists Respond to Composers

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February 4 – May 25, 2020

DENALI Artists Respond to Music Inspired by Wilderness was conceived at the confluence of two languages-music and visual art. Elements Artist Group, six artists anchored in Alaska, created eighteen pieces of art in collaboration with nine composers from Composing in the Wilderness 2017. Each piece of art is a personal response to a musical composition. Composers from Denali National Park’s Composing in the Wilderness program shared their music scores, ideas, and information about specific locations that kindled their inspiration. Elements artists have all experience the transformative potency of living, working, traveling, or being an Artist in Residence in Denali Park. Their connections to this rare wilderness, alon with knowledge of specific places influence their responses–the colors, textures, shapes, and images they chose.

Each visual work in the show is accompanied by a musical score and QR link to audio of the composition by which it was inspired.

Kathy Smith: Rivers of Ice

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October 4 – December 28, 2019

Kathy Smith is a painter and a long time resident of Homer, Alaska. She can see Grewingk Glacier from her house, and has been watching glaciers retreat since visiting Portage Glacier as a child. Her new paintings are a record of visits to various glaciers in Alaska, and a testament to the effects of a changing climate on the northern landscape. Her work is represented in the Pratt Museum’s permanent collection.

All Alaska Biennial

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“Grandma” by Christopher Judd. Oil on Linen, 5′ x 3′. All Alaska Biennial, Honorable Mention

All-Alaska Biennial features contemporary work by Alaska artists. This juried exhibition is a continuation of the museum’s All-Alaska Juried and Earth, Fire & Fibre exhibitions, which began more than 30 years ago to encourage creation of new works in all media by Alaska artists. Guest juror Candice Hopkins is a citizen of Carcross/Tagish First Nation in Yukon, Canada, and is an independent curator and writer based in Albuquerque, New Mexico.

The exhibition’s call for entries drew 634 submissions from 161 artists. Works include drawing, painting, mixed media, craft, jewelry, fiber art, visual art, metalsmithing, printmaking, encaustic, ceramic, book/paper arts, photography and sculpture.

Hopkins selected Anchorage artist Kristy Summers’ mixed-media piece Descend for the Juror’s Choice Award, with honorable mentions going to Anchorage artist Christopher Judd’s oil on linen on board painting, Grandma; and Anchorage photographer Mark Stadsklev’s photography giclée print No Way Out. The exhibition opened in Anchorage and travels to other Alaska locations throughout Fall 2019.

All Alaska Biennial is organized by The Anchorage Museum at Rasmuson Center. Support for this traveling exhibition has been made possible with the support of: Alaska State Council on the Arts, a federal Agency; the Municipality of Anchorage, the Anchorage Museum Association and the Anchorage Museum Foundation Alaska Airlines Silver Anniversary Fund.

Landfalls

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Dedications to Alaskan Women Writers and Storytellers

“With it, we are joined, and continue” Joan Naviyuk Kane. Found images, photographs, blueberry-dyed paper and gauze, fish leather, and encaustic on hand-cut scrap metal Words from her poem, “Anchorage,” in The Cormorant Hunter’s Wife. 8″ x 10″

How do we know, relate to, and narrate the complexities of living in the North? What words resonate with us when we talk, hear, or read about the place we call home? What sparks us to learn more, change our behavior, and show empathy towards a place and its people? These questions inspired Haines artist Katie Ione Craney to create a new series of work based on deciphering the roles of women within the literary and physical landscape.

Opening reception: Friday, August 3, 5-7 p.m.

Pratt Museum

Pratt Museum